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Mixbus quantizing11/18/2023 Yeah, I like the compress it really hard? I mean, just go nuts with when you combine that back in with your mix. Honestly, I like to go in and do like a seventy six. When you drum sound, I'd say fifty percent of a drum sound his drum room. See, I'll show you what I like to do it throne rooms because, um, germs, they're cool and they give you a lot of ah, a lot of help. And you, uh, use the snare room from sst at all? Or do is that you could yeah, and I think it's in here somewhere I just haven't gotten to it yet, but yeah, I think it was in one of these tracks, let's. Are you just processing the, uh, direct direct micro processing the overhead as well? So this is just the direct mike that came off of the sst that I printed and I just did e q compression, transit designer and clipper. T, okay, but if you did have a compressor let's say on your, uh well, okay, let me tell you what side chaining does sight chaining is feeding a compressor a different signal than the one that it's affecting so if I put aside if I put a compressor on my guitar track and then I feed my kick into the side chain of the compressor every time the kick hits it's going to compress the guitar that's what signed chain compression does it's not that cool people talk about it on the internet like it's the coolest thing ever but here's what it would do so every time the kick hits turns the guitar down, one thing you can do with that is you can actually take your vocal track if you get all of your music tracks bust into a group you can put a compressor on the beat on the music and then send the side chain of your vocal into that compressor and it'll turn down the music every time the vocals come in on dh you khun adjust it so it you know however much you wanted to turn down you can change those settings of course and so it's nice because when you have a situation where the guitars air just like a wall of sound and the vocals they're having trouble cutting through, you use the side chain and every time the vocalist sings apart the guitars get turned down a little bit it's just like an automatic way of automating stuff so there's there's that question about the snare right now you're processing it. Do we have any any questions from anybody right now? Um some moving through a lot of stuff can ugo over what compression side chaining isn't how to use it? Um all right, so I can but I don't think I mean, I can show you quickly what it does yeah, and then let's move on tio stars because it really isn't that importan. Sixteen digital scribble strips provide visual feedback.Do you know of any good trance? Uh transient designers for mac good question I don't I've heard that the spl is okay I think um I think maybe t racks has one but I'm not one hundred percent sure uh t rex has one and there's ah flux makes one too I've heard okay things about yeah I would say just especially with transient designers there should be enough info out their toe figure out if you're either if you want to buy it or if you maybe a demo that you can try um I think there is a way to maybe use dominion on mac but you would have to do some kind of weird like patchwork type stuff like some kind of like vsd converter or whatever but I think it's possible um yeah, awesome. And the FaderPort 16 allows you to view just the information you need to access. Having the ability to control the levels of 16 channels at once makes creating the perfect mix easier than ever before. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 16 handles what you really want to get your fingers on: your mix. Rather than forcing you to revise your mixing method, the FaderPort 16 augments the way you currently mix. With the FaderPort 16, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes-and, of course, control track levels with the touch of a finger. A superior solution for anyone who mixes in the box, only the FaderPort 16 provides sixteen 100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Digital Adapters & Miscellaneous CablesĪlthough a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the PreSonus FaderPort 16 with its precise tactile control over mix and automation functions.Acoustic Treatment and Sound Diffuser Panels.Best Selling Microphones - Tube & Solid State.Headset Microphones - Omnidirectional & Cardioid.
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